Meet the Jury
Guest of Honour
Employing a wide range of references — from the realms of history of art, pornography, iconography and kitsch — Kendell Geers questions artistic value and mocks the notion of originality. His work reveals razor-sharp humour that plays with the viewer’s repulsion and ridicules racial or religious stereotypes. Kendell Geers was born in South Africa and now lives and works in Brussels. At the 1993 Venice Biennale he officially changed his date of birth to May 1968, a momentous year in world history for human liberation and equality. Geers creates work that aims to disrupt commonly accepted moral codes and principles. Laden with complex and deep political implications, it is challenging and confrontational. At the same time, Geers’ minimalist aesthetics generate a subtle poetic undertone. His use of language, ready-mades, neon, glass, icons, film, chevron tape and other objects confront the viewer head on. They often startle the eye and require a degree of interrogation from the spectator.
Category Manager for Modern Art at Catawiki
Sophie Clauwaert obtained her Masters degree in Art History in Brussels, and then completed her education with a second Masters in Fine and Decorative Art at Sotheby’s Institute of Art in London in 2007. During these years, she specialised in Old Master Paintings, but also gained a strong understanding of art and antiques in general.
After successfully completing internships at the Victoria & Albert Museum (London) and Sotheby’s (Paris), she decided to start her own business and launched ArtExpert in 2008. An ACAF jury veteran, she now serves as the Category Manager for Modern Art at Catawiki.